“Noses” is kind of an empty space. I do not want anything. I do not want that, somehow, something comes to influence the intended pureness. The rizoma and the infinite possibilities of movement are enough and, so that I can concentrate on them, I have to be minimal. The scenery will be constructed by me, with some props I will use and abandon after as a symbol of giving up some possibilities in order to search for new ones. I also divide this performance in 4 parts, that aren’t chronologically ordered: breathing, moving, madness and talking.ditar.